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Loose matched radiant cut diamonds laid out on a white ground before setting at BH Jewelry
Project Photograph

Matched Stone Work: An Eternity Band And A Tennis Line

Two of the published pieces are pure matching jobs: a full eternity band carrying approximately 5.7 cttw of radiant cuts, and a seven inch tennis bracelet. Neither has a centre stone to hide behind.

Loose matched radiant cut diamonds laid out on a white ground before setting at BH Jewelry
Two of the published pieces are pure matching jobs: a full eternity band carrying approximately 5.7 cttw of radiant cuts, and a seven inch tennis bracelet. Neither has a centre stone to hide behind.

The Challenge

On a full eternity band every stone sits beside two others at the same height under the same light, on a curve that meets itself. On a tennis line the row has to read identically for seven inches while bending. In both cases a stone a shade warmer or a fraction longer is visible from across a table.

Customer Pain Points

  • Stones matched loosely, so a line brightens and dims as the wrist moves
  • Shared prong work heavy enough to swallow the stone and kill the light
  • A colour or size jump at the point where a full circle closes

What Was Specified

Stones are hand selected to match in colour, clarity and cut before any metal is cut, and the workshop states it goes to great lengths to match stones in quality and size on its bracelet work. The eternity band is set in shared prongs so very little metal shows between stones. The published grades are H-I colour and VS1-VS2 clarity at a 3EX cut.

The Result

The photographs on this page are the factory's own: loose matched stones before setting, and the finished band on a black ground where any variation in tint would be obvious. Client names, order values and quantities are not published by the source, so they are not published here.

Client name, contract value and quantity are not published by the source site and are not invented here.

Manufacturing

How Work Like This Is Built

Selection

Stones bought against a written specification.

Colour, clarity and cut matched across the whole set before production starts.

Layout

The run laid out before the first stone is set.

Sequence and size order checked on the bench, where it can still be changed.

Setting

Shared prong and line setting by hand.

Very little metal is left showing, so the stone line stays continuous.

Inspection

Checked around the full circle and along the full length.

Prong height and stone height compared at every position.

Planning A Scheme Like This

Send a photograph of the position, the mounting available and the quantity you are planning. A drawing and a quotation come back by email.